The Image is Not Nothing
Dear Yhonnie
We’re in the middle of something—history shared and speculative—a Kokatha and Nukunu woman mentions her home to a whitey. We find ourselves trying to speak with some of the 5000 images taken over six weeks, from late December 2018 to February 2019. These images are an index of an experience we shared. There are repetitions in this short loop: warning in a salt lake, two abandoned cities, bus stops. The Andamooka cemetery sign beckons that of Birkenau. I like thinking I knew what I was being asked to do when you invited me to walk with you. You don’t want to visit sites of genocide and nuclear destruction alone this time.
New York, you said. We feed on Orion Diner burgers, souvlaki and pancakes for 10 days while Trump decides on how to fund his wall. The 9/11 Memorial, as a structure, attempts to hold a scale that is in proportion to an act. Beneath it we consider a museum turning grief into propaganda. Twin Towers built on Little Syria, Mohammod tells us over beer. Towards a Concrete Utopia. Tito’s post-nation-state proposition united ethnic diversities, proposing hybrid social monuments. Can a memorial of shared histories fail? As we walk through this relatively small exhibition, in the seemingly immense Museum of Modern Art, we ask: is the representation of large-scale and unacknowledged violence too large to depict, or so large that any depiction renders the act void? Drive through Badlands to Wounded Knee in South Dakota; remember John Fusco, Val Kilmer, Thunderheart. A frontier sci-fi genre. The Sioux Pine Ridge Reservation and ghosts of history. A bombing range also, just like Woomera, where we visited an officially ex but definitely present military base. In ‘Manahatta’, where ‘one gathers bows’, we are taught a dance set to beating drums in a room with 100 First Nations people from around the world. Lakota elder Kelly Looking Horse walks us through the calculated ambush and massacre of his people in December 1890. It is zero degrees.
Images:
New York. Towards a Concrete Utopia. MoMA. National Library of Kosovo. 29 December 2018
9/11 Memorial. 03 January 2019
Westfield World Trade Center. Interior. 03 January 2019
This is a preview of 'The Image is Not Nothing'. The full article can be found in Art + Australia Issue Five.