Digital Empathy: A Miracle of Rare Device
When a bomb explodes in Syria, a statue in the Place de la République in Paris starts to weep. No, this is not just a poetic fantasy. Digital Empathy Device (2016), by South African-born Australian artist Michael Candy, is one of the most astonishing, yet under-reported artworks of recent times. A response to the horrific Bataclan massacre in November 2015 and the subsequent bombings in Syria by the French air force, it is a project that brings together high technology and low cunning, linking performance art and psycho-geography with international travel and political activism. Candy had become obsessed with the so-called miracle of the ‘crying Madonna’ and with the almost Promethean ambition of whether he could make a weeping statue. He flew to Paris, alone. He booked into a cheap hotel. He purchased a variety of everyday items from market stalls and budget stores.
Image: Michael Candy, Digital Empathy Device, 2016. Justin Art House Museum Collection. Image courtesy the artist and JAHM.