Nathan Gray’s work Species of Spaces, 2014 was the winner of both the 2014 Substation Contemporary art Prize and Substation People’s Choice Awards and is now part of the permanent collection of the National Gallery of Victoria. He has shown at the 19th Biennale of Sydney and the 2012 TarraWarra Biennial. His work Score for Dance was shown at Open Archive in 2011 and ACCA in 2014 and he has had numerous solo shows including Work with Me Here, 2015 at RMIT DesignHub, Things That Fit Together, 2014 at Utopian Slumps, Theorist Training Camp, 2012 at Westspace and ACTS, 2012 at Utopian Slumps. Over the last year Liquid Architecture, Melbourne, The Audio Foundation, Auckland and North Projects, Christchurch have presented his recent film The Shakes. He has held residencies in Japan, Brazil, New Zealand, Indonesia, regional Australia and Germany where he is currently based.

Prudence Gibson teaches into creative writing (UNSW) and is an art and fiction writer. Her research interests include theory fiction and Critical Plant Studies. Her 2015 book on artist Janet Laurence was published by New South Publishing. Her next book with Brill Publishing in Boston is on plant studies and art. Her co-edited book, Aesthetics After Finitude comes out with Re.press in September 2016. Her PhD investigated speculative art writing and her co-edited anthology, The Covert Plant, has been contracted with Punctum Books, US, for 2017.

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