Features   
The Inhuman Ouroboros
Editorial
Ruth Hollick's Fashion Photography In William Gibson And Walter Benjamin's Mirror-worlds
I Know A Person When I Talk To It
Chatgpt Did Not Take Place
Artificial Artistry: The Legal Implications Of Ai-generated Art
Diggermode: A Conversation
Forum  
Telltale Signs
Geumhyung Jeong's Oil Pressure Vibrator
All Portraits Are Failures
Automated Intuition
The Obscure Object Of (a) I
Paint Rematerialises
Expanded Ai: Interdisciplinary Human-machine Collaborations
Ai, Art And Everything
Galleries & Artists   
Growing Up With Art Jakarta
Body Of Opportunity: Tania Ferrier
Review: Wild Hope
As Above So Below
Yandell Walton: Dissonant Terrain
In Memoriam: Ted Snell
Colophon

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Art + Australia
Publisher: Victorian College of the Arts
University of Melbourne


Editor-in-Chief: Su Baker
Editor at Large: Edward Colless
Managing Editor: Jeremy Eaton
Art + Australia Study Centre Editor: Suzie Fraser
Digital Archive Researcher: Chloe Ho
Business adviser: Debra Allanson
Design Editors: Karen Ann Donnachie and Andy Simionato (Design adviser. John Warwicker) 


Contact: info@artandaustralia.com


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Art + Australia was established in 1963 by Sam Ure-Smith and in 2015 was donated to the Victorian College of the Arts at the University of Melbourne by then publisher and editor Eleonora Triguboff as a gift of the ARTAND Foundation.


Art + Australia acknowledges the generous support of the Dr Harold Schenberg Bequest and the Centre of Visual Art, University of Melbourne. 


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Art + Australia ISSN 1837-2422