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In A World of Wounds, installation view at Artbank, Sydney. From left to right: Tarik Yasin Ahlip, Gut, 2018. Cast plaster. Courtesy of the artist. Sam Doctor, And then there was nothing, 2015. Digital C Type print. 84 x 189cm. Courtesy of the artist and Artbank. Dean Cross, OMAM PJWD, 2017. Dye transfer on silk chiffon. Courtesy of the artist. Tracey Moffatt, Up in the Sky #25, 1997. Photolithographic offset print. Courtesy of the artist and Artbank. Merryn Lloyd, Hot surface painting (50s/60s/70s abstraction), 2017. Encaustic on plywood. 43 x 53 x 3.5cm. Courtesy of the artist and Artbank. Merryn Lloyd, Gouged surface painting (green/yellow/white), 2017. Encaustic on plywood. 43 x 53 x 3.5cm. Courtesy of the artist and Artbank. Maria Kontis, The Warning I, 2004. Pastel on paper. Courtesy of the artist and Artbank. Shannon Te Ao, a torch and a light, 2015. Single-channel High Definition video, black and white, stereo sound, 7 minutes 35 seconds. Courtesy of the artist and Robert Heald Gallery, Wellington. Front: Nabilah Nordin, Small Monument to Ergonomics, 2017. Cement, chipwood, glue, pigment, synthetic polymer paint, styrofoam. Courtesy of the artist.