COMMENTARY
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A QUEENSLAND SONG by Nancy D. H. Underhill p. 234
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FROM ROCOCO TO REVOLUTION by David Jaffé p. 236
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A RECENTLY IDENTIFIED THOMAS BOCK ETCHING by G. T. Stilwell p. 238
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MELBOURNE REPORT by Juliana Engberg p. 239
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BY LOOKING AT PERSPECTA by Edward Colless p. 240
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THREE VENEZUELANS IN TWO DIMENSIONS by Ted Snell p. 242
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RECENT ACQUISITIONS: PUBLIC GALLERIES p. 244
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EXHIBITION COMMENTARY: PUBLIC GALLERIES p. 246
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THE AUSTRALIAN EXHIBITION by Anna Bock p. 249
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DREAMS IN SPACE, SHELL COVE p. 249
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ART MARKET by Terry Ingram p. 292
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REWORKING AUSTRALIAN ART HISTORY by Leon Paroissien p. 252
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THE NECESSITY OF AUSTRALIAN ART by David McNeill p. 253
FEATURES
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JAMES STEWART MACDONALD, SIR SYDNEY COCKERELL AND THE FELTON RECOMMENDATIONS by Michael Watson p. 255
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THE AUSTRALIAN ACADEMY OF ART by Chris Parvey p. 262
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WILD NIGHTS AND SAVAGE FESTIVITIES: WHITE VIEWS OF CORROBOREES by Candice Bruce and Anita Callaway p. 269
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'WALLFLOWERS' TO 'TALL POPPIES': THE SYDNEY SOCIETY OF WOMEN PAINTERS by Angela Philip p. 276
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A CONDITION OF SUSPENDED CONFUSION by Chris McAuliffe p. 282
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REVISIONS: JULIE BROWN-RRAP AND PETER TYNDALL p. 287