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Vol 40 No 3 Autumn 2003

COMMENTARY

DOCUMENTA II by Victoria Lynn p. 388

‘WORK IN PROGRESS’ SERIES AT THE IAN POTTER MUSEUM OF ART by Shaune Lakin p. 391

PUMPUNI JILAMARA: TIWI ART AT THE AGNSW by John McDonald p. 394

GREG ADES IN THE WOOMERA by Ashley Crawford p. 396

ASIA-PACIFIC TRIENNIAL 2002 AT THE QAG by Claire Armstrong p. 398

TRIBUTES

JAMES DOOLIN by Bernice Murphy p. 402

CHARLIE EGALIE TJAPALTJARRI by Vivien Johnson p. 403

ALEC MURRAY by Christine France p. 404

LOUIS KAHAN by Lou Klepac p. 405

FEATURES

SELF-PORTRAIT – CANOPY XXXII: NINETY-NINE DAYS by Brian Blanchflower p. 406

ARTIST’S CHOICE – TONY TUCKSON’S PINK LINES (VERTICAL) ON RED AND PURPLE by Eugene Carchesio p. 408

ESSAYS

DANI MARTI – THE SEMIOLOGY OF WEAVING by Victoria Hynes p. 410

JUDITH WRIGHT – EACH SIGH IS THE STILLNESS OF A SHRIEK by Michael Desmond p. 418

LIQUID LIGHT – HELGA GROVES AND SAVANHDARY VONGPOOTHORN by Tanya Peterson p. 426

FLOW CHARTS – LANGUAGE AND LANDSCAPE IN THE WORK OF KEN ORCHARD by Martin Thomas p. 436

BROOK ANDREW – NEVER MAKE DECISIONS BASED ON FEAR by Chris Chapman p. 446

ART MARKET

THE CASE FOR COLLECTING INTERNATIONAL ART by Bill Gregory p. 454

SALESROOM – THE CORPORATE RUSH TO SELL by Terry Ingram p. 458

REVIEW

ROY WIGGAN by Ashley Crawford p. 497

ILDIKO KOVACS by Jazmina Cininas p. 498

JULIE DOWLING by Ted Snell p. 499

EMILY FLOYD by Samantha Comte p. 500

RICKY SWALLOW by Lindsay Dunbar p. 501

ANNE NOBLE: STATES OF GRACE by Anne Kirker p. 502

RICK AMOR by Jennifer Isaacs p. 503

SCENTED SOAP OR SUBVERSIONS? by Robin Tranter

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